© 2022 oscarzanette
Environmental theme in this 1998 work. The Coca-Cola can floating in this dying sea still has its cap and represents the period in which we live, a time when we throw things away even before we have consumed them. This attitude worries the creator, but on the horizon there is a light that indicates the hope of a new day, a symbol of a new popular consciousness, hope that we are not already at the point of NO RETURN. Tempera on board prepared with primer and sea sand. Year 1998, size 50X100. Private collection
It represents the era in which we live; many feel "thirsty" but do not know exactly what it is they are missing. Tempera on board prepared with primer and sea sand, year 1998.
Private collection.
Always on the environmental theme, a man walking carelessly over himself, casting a sinister shadow over his own face, like a scar. Obviously, it represents the evil that humanity is inflicting on the world, but we are an inseparable part of it. Oil on canvas prepared with primer and river sand. Size 50X50.
year 1998 Private collection.
Three women and a single drama. Tempera and oil on panel prepared with primer and sea sand,
Year 2003, size 60X120.
For sale 500 euros
Today, as in the past, history repeats itself: the good on the cross and the bad outside. Tempera and oil on panel prepared with primer and river sand.
Year 2003, size 60X120, for sale at 500 euros.
Tempera and oil on panel prepared with primer and sea sand. Year 2002 size 60X120 Private collection.
Tempera and oil on panel prepared with primer and river sand. I have lost track of this work; if anyone could tell me where it is, I would be happy.
Around the year 2000.
Even as a child, my gaze was lost in some place of the past or the future, places that if they ever existed or will exist, no one knows, not even I.
Tempera and oil on panel prepared with primer and river sand.
size 60X120 year 2003.
Private collection
Time, the most important asset at our disposal, sometimes passes so quickly that we don't even realize we've lived it, so we confuse the hours, lose days, waste months and even years.
Tempera and oil on panel prepared with primer and river sand.
Size 60X120 year 2012 for sale euro 500
The artist's fear of coming out into the open with their works, the fear of not being understood and of being judged by the "crowd". Just as Daumier did in Ecce Homo, so in this painting I have depicted people without a precise identity, because humanity disappears in a crowd that condemns simply because it does not understand. Tempera on panel prepared with primer and river sand.
size 60X120 for sale euro 500
© 2022 oscarzanette